Salon Prize

That Other Juried Salon Prize
2011 Winners

“Virginia” (3rd Place)

Media- Powdered Graphite on Paper- Michelle MacKinnon. 2011 I created the piece “Virginia” to capture an expression that my Nanny, Virginia, commonly gives me. My work deals with idea that intentions between people are never explicitly stated, though can be revealed in nothing but a glance. Though intentions between us are never said, I believe they can be deciphered by capturing and  subtly exaggerating them on paper. As I find human relationships complex and intriguing, I will be further exploring the significance and reality behind intentions in people in future pieces/series.

michellemackinnon.tumblr.com/lifedrawing

“Visionary” (4th Place)

CREDIT goes to BEN WELLEND http://www.byfieldpitman.com/

Media- Oil on canvas- Crystal Beshara. 2011

“Puppy” (The Mark Bunting Drawing Award)

Media- Pencil on Paper- Jennifer Epprecht. 2011. The drawing “puppy” is a statement about abuse of trust.  Because there is only one figure, looking out at the viewer, the audience is implicated in this abuse. The care put into rendering the drawing encourages viewers to question the subject matter, because of the contrast between lovingly drawn detail and implications of violence.

“River Series-Yellow” (2nd Place)

Media- Collage- Barb Carr. 2010. My piece is part of a series based on river imagery, inspired by the St. Lawrence and Cataraqui Rivers.  I enjoy the immediacy of working in collage, and the tactile aspect of manipulating torn and cut papers, from large shapes to very tiny ones.  I also love the vibrancy of the colours and the way they interact with each other as I apply them.  I don’t plan very much of the composition ahead of time, but let it just develop as I’m creating it.

 

My website is www.barbcarr.ca

“Bathyscape Bliss” (1st Place)

Media- Oil Based Block Print Inks on Panel- Zillah Loney. 2003“Bathyscape Bliss” is one of a series of paintings based on the life of my Lennoxville, Quebec friend and folk-figure, Iris Brown.  Many  days Iris would toil to exhaustion in her garden wearing stockings, pearls,and her distinctive black and white skirt, attire and pouffe hairdo found fashionable in the 1950′s.  Here, as I imagine it, she is relaxing in the tub, her body creating watery islands.  The view through billowing lace curtains is of her garden and the neighbouring church, and is painted as I remember it with little attention paid to perspective.  There is no brushwork in this piece. Instead I hand- press colourful oil-based inks onto the panel using layered textures from found materials to create the designs and patterns I love. It is a labour intensive process. www.zillahloney.com